Monastic Iconography In France: From The Renaissance To The Revolution
Author: Joan Evans
Binding: Hardback
Published: CAMBRIDGE UNIVERSITY PRESS, 1970
Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good, price clipped
Markings: No markings
Condition remarks: hard cover in good condition; mildewing on inside front and back covers and pages; pages in otherwise good condition; dust jacket worn and marked, with plastic jacket installed to maintain condition
This scholarly work, Monastic Iconography In France: From The Renaissance To The Revolution, presents a meticulous examination of religious art within French monastic orders across a pivotal historical span. It chronicles the evolution and significance of visual representations in monasteries, tracing their transformation from the vibrant Renaissance through the tumultuous era leading up to the Revolution. Joan Evans's authoritative text uncovers the intricate relationship between theological doctrine, artistic expression, and societal change, illustrating how these sacred images reflected and influenced spiritual life. The book details specific iconographic programs and their cultural contexts, offering profound insights into the spiritual and artistic landscape of early modern France. It argues for the enduring power of visual culture in shaping religious identity and practice during centuries of profound upheaval.
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Description
Author: Joan Evans
Binding: Hardback
Published: CAMBRIDGE UNIVERSITY PRESS, 1970
Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good, price clipped
Markings: No markings
Condition remarks: hard cover in good condition; mildewing on inside front and back covers and pages; pages in otherwise good condition; dust jacket worn and marked, with plastic jacket installed to maintain condition
This scholarly work, Monastic Iconography In France: From The Renaissance To The Revolution, presents a meticulous examination of religious art within French monastic orders across a pivotal historical span. It chronicles the evolution and significance of visual representations in monasteries, tracing their transformation from the vibrant Renaissance through the tumultuous era leading up to the Revolution. Joan Evans's authoritative text uncovers the intricate relationship between theological doctrine, artistic expression, and societal change, illustrating how these sacred images reflected and influenced spiritual life. The book details specific iconographic programs and their cultural contexts, offering profound insights into the spiritual and artistic landscape of early modern France. It argues for the enduring power of visual culture in shaping religious identity and practice during centuries of profound upheaval.











