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Religious Art In France: The Thirteenth Century, A Study Of Medieval Iconography And Its Sources

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Religious Art In France: The Thirteenth Century, A Study Of Medieval Iconography And Its Sources

Author: Emile Male
Binding: Hardback
Published: Princeton University Press, 1984

Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: No markings

Religious Art In France: The Thirteenth Century, A Study Of Medieval Iconography And Its Sources presents a foundational examination of sacred imagery from a pivotal era. This scholarly work chronicles the intricate symbolism and artistic conventions that defined French religious art during the 1200s. Male meticulously uncovers the theological and cultural wellsprings that informed these visual narratives, illustrating their profound connection to medieval thought. It offers an authoritative perspective on the development and meaning behind the era's stained glass, sculpture, and illuminated manuscripts. This essential volume instructs readers on the rich tapestry of medieval iconography, making it indispensable for art historians and enthusiasts alike.

$42.07
Religious Art In France: The Thirteenth Century, A Study Of Medieval Iconography And Its Sources—
$42.07

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Author: Emile Male
Binding: Hardback
Published: Princeton University Press, 1984

Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: No markings

Religious Art In France: The Thirteenth Century, A Study Of Medieval Iconography And Its Sources presents a foundational examination of sacred imagery from a pivotal era. This scholarly work chronicles the intricate symbolism and artistic conventions that defined French religious art during the 1200s. Male meticulously uncovers the theological and cultural wellsprings that informed these visual narratives, illustrating their profound connection to medieval thought. It offers an authoritative perspective on the development and meaning behind the era's stained glass, sculpture, and illuminated manuscripts. This essential volume instructs readers on the rich tapestry of medieval iconography, making it indispensable for art historians and enthusiasts alike.