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The Western Canon
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Prof. Harold Bloom
Format: Paperback
Number of Pages: 592
This text is a defence of the western literary canon which the author sees being eroded by the tyranny of cultural studies and political correctness in the academic and literary world. It is at once an eloquent survey of the great authors from Dante to Beckett that make up the canon, with Shakespeare at its centre, as well as a polemical assault on the forces that are trying to diminish it.
Author: Prof. Harold Bloom
Format: Paperback
Number of Pages: 592
This text is a defence of the western literary canon which the author sees being eroded by the tyranny of cultural studies and political correctness in the academic and literary world. It is at once an eloquent survey of the great authors from Dante to Beckett that make up the canon, with Shakespeare at its centre, as well as a polemical assault on the forces that are trying to diminish it.
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NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Prof. Harold Bloom
Format: Paperback
Number of Pages: 592
This text is a defence of the western literary canon which the author sees being eroded by the tyranny of cultural studies and political correctness in the academic and literary world. It is at once an eloquent survey of the great authors from Dante to Beckett that make up the canon, with Shakespeare at its centre, as well as a polemical assault on the forces that are trying to diminish it.
Author: Prof. Harold Bloom
Format: Paperback
Number of Pages: 592
This text is a defence of the western literary canon which the author sees being eroded by the tyranny of cultural studies and political correctness in the academic and literary world. It is at once an eloquent survey of the great authors from Dante to Beckett that make up the canon, with Shakespeare at its centre, as well as a polemical assault on the forces that are trying to diminish it.
