
Palladio
Author: Edited by Guido Beltramini and Howard Burns
Binding: Paperback
Publisher: Centro Innternazionale di Studi Architettura; Royal Academy of the Arts; Royal Institute of British Architects, 2006
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
This seminal work in architectural history presents a comprehensive examination of Andrea Palladio, the master architect of the Italian Renaissance. It chronicles Palladio's formative years, his innovative designs, and the profound impact of his theoretical treatises on Western architecture. Ackerman's meticulous scholarship uncovers the intellectual currents that shaped Palladio's vision, detailing his revolutionary approach to classical forms. The text illustrates how Palladio's principles of harmony and proportion continue to resonate in contemporary design. This authoritative volume argues for Palladio's enduring relevance, solidifying his place as a pivotal figure in architectural thought.
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Description
Author: Edited by Guido Beltramini and Howard Burns
Binding: Paperback
Publisher: Centro Innternazionale di Studi Architettura; Royal Academy of the Arts; Royal Institute of British Architects, 2006
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
This seminal work in architectural history presents a comprehensive examination of Andrea Palladio, the master architect of the Italian Renaissance. It chronicles Palladio's formative years, his innovative designs, and the profound impact of his theoretical treatises on Western architecture. Ackerman's meticulous scholarship uncovers the intellectual currents that shaped Palladio's vision, detailing his revolutionary approach to classical forms. The text illustrates how Palladio's principles of harmony and proportion continue to resonate in contemporary design. This authoritative volume argues for Palladio's enduring relevance, solidifying his place as a pivotal figure in architectural thought.











